The music of “On A Cold Road”

A selection for 2012 Canada Reads by CBC Radio One, I picked “On a Cold Road: Tales of Adventure in Canadian Rock” by Dave Bidini to read because it seemed like the obvious choice for myself; I play music and have entertained dreams of being a rock star, and I’m fascinated by Canadian history and those who lived it.

I also picked it partially because I never was a Rheostatics fan… growing up in Belleville, Ontario, I had no choice but to have mainstream tastes, and I never hung with any crowd that anyone would deem very “cool.” Then by the time I began to broaden my musical horizons in university, I was looking at the obscure indie rock of the 80s and 90s south of the border. The Rheostatics passed me by as the band with the weird videos occasionally on MuchMusic, but I recognize they’re important… which ultimately intrigued me enough to pick up this book.

“On a Cold Road” is more or less Bidini’s tour diary of his band’s trip across Canada opening up for the Tragically Hip, while also functions as an oral history of Canada’s early days of rock and roll. The history presented is from the side of the musicians, who talk about life on the road and the gritty details on being in a band, which gives an “on the ground” feeling to their stories.

So because I was unfamiliar with the Rheostatics, and unfamiliar with some of the early acts Bidini talks to members of, I put together this overview/soundtrack of his book, which I think functions nicely as an audio accompaniment. Maybe you don’t need to hear “New Orleans is Sinking” again, but in the context of the Rheostatic’s history in the book, alongside the greater Canadian rock music history, it may provide you with fresh ears.

Hope you enjoy listening, and you can learn more about “Canada Reads” here on CBC.ca.

Chapter 1 – Prologue

Max Webster – “In Context of the Moon”

Triumph – “Rocky Mountain Way”

Rheostatics – “Christopher”

Ken Tobias – “Every Bit of Love”

Gale Garnett – “We’ll Sing in the Sunshine”

Chapter 2 – British Columbia

The Rheostatics – “The Ballad of Wendel Clark”

The Collectors – “What Love Suite”

Chapter 3 – Alberta

The Rheostatics – “Earth/Monstrous Hummingbirds”

http://youtu.be/adUVSlpbKrM

Zon – “Back Down to Earth”

Thor – “Keep the Dogs Away”

Tragically Hip – “Little Bones”

Chapter 4 – Saskatchewan

Bachman-Turner Overdrive – “Rock is My Life and this is My Song”

The Rheostatics – “Saskatchewan”

Bachman-Turner Overdrive – “Taking Care of Business”

Crowbar – “Oh What a Feeling”

Chapter 5 – Manitoba

The Rheostatics – “The King of the Past”

The Stampeders – “Sweet City Woman”

The Tragically Hip – “At the Hundredth Meridian”

Fludd – “Get Up Get Out Move On”

Goddo – “So Walk On”

Chapter 6 – USA

The Rheostatics – “The Wreck of the Edmund Fitzgerald”

The Rheostatics – “Record Body Count”

Chapter 7 – Toronto, Part 1

Stompin’ Tom Connors – “Snowmobile Song”

Stompin’ Tom Connors – “Sudbury Saturday Night”

The Guess Who – “Shakin’ All Over”

Chapter 8 – Quebec

Rheostatics – “Bad Time to be Poor”

Rheostatics – “Four Little Songs”

Rheostatics – “Dope Fiends and Boozehounds”

Chapter 9 – The East

Tragically Hip – “New Orleans is Sinking”

Headpins – “Don’t it Make You Feel”

Rheostatics – “Aliens”

Rheostatics – “Shaved Head”

Chapter 10 – Toronto, Part 2

The Tragically Hip – “Nautical Disaster”

Rheostatics – “Claire”

The Tragically Hip – “50 Mission Cap”

2012: Movies watched, rated

Here we go again. Fifth time’s the charm.

Rating System:

A+ = Don’t Miss It, Life-Changing, Classic
A = Very Solid Recommendation, Very Well Made
B+ = Solid Recommendation
B = Recommended
B- = Alright, still worth a watch
C = Watch at your own risk
D = Avoid
F = Waste of Film, Time and Money

Previously, this list was pretty accurate, but now with Netflix I watch so many movies I’m losing track of these things. I’ve tried to build this out to be as accurate as possible, which accounts for the extreme dip in total movies seen compared to previous years. Also, lots of TV this year.

  1. “Signs” (2002). Sunday, Jan. 1 — A+
  2. “Melancholia” (2011). Monday, Jan. 2 — A+
  3. “30:Minutes or Less” (2011). Saturday, Jan. 7 — B-
  4. “The Box” (2009). Saturday, Jan. 14 — A+
  5. “The Greatest Movie Ever Sold” (2011). Thursday, Jan. 19 — B+
  6. “Dune” (1984). Friday, Jan. 20 — A+

Favourite movie of 2011: The Tree of Life

Like I mentioned in the full list of movies I saw in 2011 post, with Netflix I saw the # of movies (at least in part) skyrocket, and though I did my best to keep track of it. But in 2011 I saw less films in other years… due to overall more TV consumption (I caught up on a lot of CBC programming this sumer), and frankly, not interesting or good looking movies in the theatre. I’d say 2011 had way more better “entertaining” movies than most years (“Rise of the Planet of the Apes” was spectacular), and maybe less “great” films (“Martha Marcy May Marlene” was haunting and shocking and beautiful, “Bellflower” was a tour de force of no-budget auteur filmmaking and “Drive” was downright awesome and reminded me of all the awesome parts of “To Live and Die in LA“).

As an aside, I saw Martin Scorcese’s “Hugo” last night — which turned out to be the perfect movie to see at the close of 2011 — and I nearly put it as my favourite film of the year. Go see it as soon as you can, without knowing any more about it than you already do. It’s going to be all over the place once Oscar season gets into full swing, and by knowing about what the movie is “really” about might take away some of the magic I know I experienced going into it cold.

With that said, it was really easy to pick my favourite film of 2011: “The Tree of Life.”  It’s a really tough film by Terrence Malick, who wrote and directed the film about a small family in Texas, going through the regular trials that life throws in their way. A father struggles in his career, he struggles to raise his boys, yet finds solace in music, playing the piano at home and at the organ in church. Up against their father’s strictness, the mother brings beauty and gentleness into her children’s lives, loving them more than anything else on earth. Finally, there’s the boys. One is a gentle soul who connects with his father on a musical level, but is tragically taken away from the family. One is a boy that goes through what many boys do in adolescence; discovering the potential for destruction and violence in their own nature, sexual desire in blossoming girls, and fitting in less and less beside his father at the family dinner table.

That may sound as a pretty straight-forward setup for a drama — one that reflects Malick’s own childhood transparently enough that anyone could place themselves in his shoes (especially someone like myself, who only had brothers, and grew up in a small town). But then the story is framed around one of the brothers in “present day,” as a successful businessman who works downtown in a skyscraper, and slowly mourns his brother.

And yet that may sound like a standard framing narrative for a drama too — but here’s where it gets a little nuts. In the middle of all of this, Malick incorporates a massive deviation from the family storyline that explores the origin of life on earth, from the big bang to dinosaurs. Yes… there are dinosaurs in “Tree of Life.” The amazing galaxy creation images come from a variety of sources, one major source being Douglas Trumbull, who Malick asked to make visuals for “Tree of Life.” Trumbull hasn’t made visual effects since “Blade Runner,” and is best known for “2001: A Space Odyssey.” Together Malick and Trumbull used paints and milks and chemicals and all sorts of techniques to build the galaxy-building sequences, and they are truly unlike any other seen on screen. But they weren’t just guys playing with colours; in preparation for the film, Malick met with evolutionary scientists from Harvard to get the most information possible.

Because of the “emergence of life” scenes, viewers of “Tree of Life” need to challenge themselves to see the family’s story in a bigger way… and I think Malick wants his audience to see this as a very theistic story, that blends science and religion and everything into a big question: How much of what we are simply “is,” and how much of it do we choose to be? This movie is about majesty, the majesty of creation, the majesty of love, and the majesty of pain. The following quote comes from the first line spoken in the film, and also comes from a paraphrased verse from the book of Job, where God is speaking to the man who has lost everything.

“Where were you when I laid the earth’s foundation… while the morning stars sang together and all the sons of God shouted for joy?”

 

New recording: Aaliyah + Banjo

This came together relatively quickly; I’ve been a huge R. Kelly fan for a long time, and exploring Aaliyah’s music is an extension of that… he was an influential person in her life, and though these covers come from her “One in a Million” record, I really hear his influence in the way she sings. So, as “One in a Million” climbed around in my brain and took hold, I decided the only way to answer that was to get inside the songs themselves, see how they tick, and see how they sound stripped of their electronic-ness, their vocal gymnastics and pop moves. Listen for yourself, but I’m pleasantly surprised that despite these “best” songs from “One in a Million” only have 2 chords or so, Timbaland and Missy Elliot (the songwriters of “Four,” “Three,” and “One”) really knew what they were doing on the melodic side of things — not just on those insanely future-looking beats. Enjoy!